Israel Museum Presents its 2013-4 Winter Exhibition Season Showcasing Israeli and International Contemporary Art
4 x 4: Four Exhibitions, Four Months on view December 3, 2013 – April 5, 2014
Jerusalem, November 25, 2013 – This winter, the Israel Museum launches a series of exhibitions that spotlight a roster of internationally acclaimed and emerging artists from Israel, in the greater context of the international contemporary art scene. COLLECTING DUST in Contemporary Israeli Art examines the work of fifteen artists who transform dust into contemporary works of art exploring temporality, memory, and Israel’s environmental landscape. Continuing the theme of remembrance is the first-ever retrospective of Gideon Gechtman, whose oeuvre explored how art can act as a posthumous memorial. Also on view is the first solo exhibition in Israel of Mika Rottenberg, whose work examines the role of women in society and the repercussions of an increasingly digital world. Related to this theme, the Museum is presenting an exhibition drawn from its encyclopaedic collections in the fine arts and archaeology that shows, as it were, the "roots" of contemporary art, from prehistory onward. Out of Body: Fragmentation in Art focuses on works of art that were created as distinct parts of the human body, from Egyptian amulets from the third and second millennia BCE through contemporary works by leading contemporary and Israeli artists. All four exhibition are on view from December 3, 2013, through April 5, 2014.
4 x 4: Four Exhibition, Four Months
The pervasive presence of dust – as matter or metaphor – is the thread that connects the works on view in this exhibition. A century after Marcel Duchamp and Man Ray’s seminal Dust Breeding, the artists whose works comprise this presentation give their own interpretations of dust’s enigmatic nature. Whether focusing on intimate or remote surroundings – in the studio, in the city, or in the expanses of the desert – they engage with the medium of dust to probe such perennial issues as the passing of time, creation and erosion, presence and absence.
COLLECTING DUST presents 45 works from the last decade by Israeli artists active in the fields of painting, photography, installation, and video, among them Ilit Azoulay, Gilad Efrat, Irit Hemmo, Dana Levy, Micha Ullman, Gal Weinstein, Sharon Ya'ari, and Yuval Yairi. The exhibition is curated by guest curator Tamar Manor-Friedman.
Gal Weinstein's Dust Cloud series (2009), which opens the exhibition, presents clouds of volcanic ash using steel wool in a sequence of quasi-scientific images that develop towards a threatening climax. In his photographic Rashi Street series, Sharon Ya'ari focuses not on the vibrant city of Tel Aviv that constantly reinvents itself, but rather on the fumes of demolition and thunder of urban renovation.
Gideon Gechtman: 1942–2008
Gechtman's 2003 work Archive is a mausoleum-like reconstruction of the tiered graves in the cemetery of Port Bou, Spain, the burial place of philosopher and critical theorist Walter Benjamin, to whom the work is dedicated. Contained in the niches are various handmade objects that reference elements of Gechtman’s earlier oeuvre and serve as a narrative of his artistic career, preserved in this posthumous installation. The exhibition is curated by Aya Miron, Associate Curator, David Orgler Department of Israeli Art.
The first solo presentation in Israel of video and installation artist Mika Rottenberg, this exhibition presents six video works by the artist, spanning a decade of artistic creativity. Known for her use of the human body in extreme, poetic, and critical ways, Rottenberg creates out-of-the-ordinary assembly lines, in which actresses with unusual physical attributes and abilities become part of an absurd manufacturing process that produces a variety of nameless products using substances such as sweat, hair, and cosmetic powder. Born in Buenos Aires and raised in Tel Aviv, Rottenberg’s work examines the role of women in society, the tension between man and machine, and the role of the handmade in an increasingly global, commercial, and hyper-technological age. The exhibition is curated by Amitai Mendelsohn, Curator of the David Orgler Department of Israeli Art.
Out of Body: Fragmentation in Art
Human body parts – hands, feet, torsos, and various organs – are the subject of this exhibition of approximately 200 works of art and archaeological artifacts from across the Israel Museum’s collections and on loan from collections in Israel and worldwide. As distinct from a display of objects that were discovered as fragments of ancient artifacts that were once whole, Out of Body focuses on works that were originally created in parts, exploring ways in which diverse cultures rendered aspects of the human body in different periods of time. Objects on display include prehistoric artifacts, Egyptian amulets, Etruscan and Hellenistic votive offerings, European ex-votos, Jewish cult objects, and works of modern and contemporary art in painting, sculpture, photography, video and installation. Featured artists include Hans Bellmer, Marcel Duchamp, Robert Gober, Sigalit Landau, Hila Lulu Lin, Annette Messager, Man Ray, Auguste Rodin, and Sasha Serber, among others. Out of Body is curated by Tanya Sirakovich, Michael Bromberg Head Curator of Prints and Drawings.
The Israel Museum, Jerusalem
The Israel Museum is the largest cultural institution in the State of Israel and is ranked among the leading art and archaeology museums in the world. Founded in 1965, the Museum houses encyclopedic collections ranging from prehistory through contemporary art and includes the most extensive holdings of Biblical and Holy Land archaeology in the world, among them the Dead Sea Scrolls. In just under 50 years, the Museum has built a far-ranging collection of nearly 500,000 objects through an unparalleled legacy of gifts and support from its circle of patrons worldwide. In 2010, the Museum completed a comprehensive renewal of its campus led by James Carpenter Design Associates, New York, and Efrat-Kowalsky Architects, Tel Aviv, including the creation of new galleries, orientation facilities, and public spaces, and the complete reinstallation of its encyclopedic collections. The Museum also organizes and presents programming at its off-site locations in Jerusalem at the Rockefeller Archaeological Museum, where it presents archaeological artifacts from the Land of Israel, and at its historic Ticho House in downtown Jerusalem, a venue for exhibitions of contemporary Israeli art.
Photo provided by the Museum